In a short article about Hollywood's depictions of African American presidents, CNN mentions one of my favorites but gets the plot wrong:
In "The Man," James Earl Jones receives the big gig after the entire cabinet perishes in a series of freak accidents.
Wrong. A more accurate plot summary reads as follows:
When the President and Speaker of the House are killed in a building
collapse, and the Vice-President declines the office due to age and
ill-health, Senate President pro tempore Douglas Dilman (James Earl
Jones) suddenly becomes the first black man to occupy the Oval Office.
The book from which the movie was derived was written by Irving Wallace in 1964 (!) and was one of the many potboilers I devoured in junior high. I think I'll dig it out and give it another read. The climax of the book occurs when a white woman--the daughter of a U.S. Senator--accuses Dilman of raping her. Dilman is impeached and tried by the Senate, which acquits him by one vote, that vote being cast by the accuser's father who is forced to admit that his daughter is mentally unstable and has fabricated the rape story.
The book had everything an adolescent political junkie like the twelve year old me could want. Constitutional arcana about the line of Presidential succession. Racist southern Congressmen. Sex and direct allusions to the age-old white man's fear of the black man's sexual potency. Parallels to the Senate trial of Andrew Johnson. Backroom political plotting. And above all, an antiracist moral that left me enthusiastically open to the idea of an African American one day becoming President.
One of the assumptions Wallace made in the book was that certain elements of society would stop at nothing to oppose a man of color's assumption of the Oval Office. They would draw on the crudest retrograde racial stereotypes, wrap them in a thin veneer of legality, and deploy them shamelessly.
44 years after Wallace wrote the novel, I wonder how far we've come. That Barack Obama stands at the brink of the Presidency through election, rather than through multiple vacancy in the line of Presidential success, is a testament to our progress. It would have been completely unrealistic in 1964 for Wallace to posit a situation where a man of color gains the the nomination of one of the two major American political parties. He was constrained to place his character in the Oval Office by happenstance.
On the other hand, the racist, atavistic attitudes Wallace depicts are still very much with us. I'm thinking of
--the video clip of an older white woman in West Virginia saying she didn't believe in putting a black man on top;
--the cutesy confusion by the right-wing media of Obama and Osama and the harping on Barack's middle name;
--the paranoid insistence that Obama (unlike, say, McCain) produce an American birth certificate to prove he is a native born citizen and therefore Constitutionally eligible to run;
--the suggestion that a hypersexualized Obama copped a public feel of his wife's ass just after giving her the old "terrorist fist bump";
--the repeated attempts to link Obama to angry, violent, anti-white radicals;
--the revolting description on Fox News of Michelle Obama as Barack's "baby mama," a term linking the Obamas to ghetto culture that casts them both as promiscuous and sexually irresponsible;
--the pathetic attempts by attention seekers (much like the pathetic attention-seeking Senator's daughter in The Man) that Obama has had gay sex with them.
Sad to say, none of these developments would have seemed out of place to Irving Wallace back in 1964.